Sunday, July 24, 2011

HAMLET Critique

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Henri Suhamy expresses positively that the dilapidated imagery portrayed in Hamlet brings forth many explications. Some of the explications are paradoxical in form when criticizing Hamlet. Suhamy reinterprets theories and criticism by comparing many great critics and their opinions with Metaphorical Fallacy.


Overexploited sin and crime, in terms of disease and rottenness, is interpreted as Metaphorical Fallacy. Suhamy says that this type of imagery shines light on the inner meaning and technicalities of language. It also shines upon a reflection of ethical morals of a deep religious community. In the case of a play, the fallacy clearly defines understood thoughts about a variety of characters within the play. Sometimes, opinions are very misleading lead to misinterpretations.


Suhamy interprets one of the main theories, introduced by Morris Weitz, author of Hamlet and the Philosophy of Literary Criticism. In Weitz’s book (Hamlet and the Philosophy of Literary Criticism), he argues against Wilson Knight’s interpretation of the protagonist’s representation of the consciousness of death among a world of “human passions and appetites and activities.” Overall, Weitz says that Knight’s interpretation of Hamlet’s world to be of health and humanity is actually corrupt, unhealthy, and rotten. He says that he does not claim that he’s correct but says that, “Knight makes a moral mockery of it by his reversal of sickness and health.” This is really interesting in a way that both interpretations can be viewed to be correct. But the reader should be the one who decides which interpretation of Hamlet’s universe is ultimately correct.


With this argument from Weitz, Suhamy says that Weitz is forgetting that literature is made of many interpretations that come from different sources of opinions. First, Suhamy says that Weitz is running into metaphorical fallacy by just viewing the sickness imagery from the play. He reminds the readers that a metaphor includes the production of “figurative senses, not factual statements.” He says that moral corruption does not necessarily arouse physical corruption. Then, Suhamy says that Weitz did not clearly interpret Knight’s arguments. He says that the difficulty of interpreting metaphorical language is a main reason why Weitz has misinterpreted Knight. Knight says that Hamlet is a symbol of death with credulous goals and desires. There is also the sick emotion of Hamlet from the “moral sickness of the people about him.” The fact that he is sickened by the healthiness of nature is a paradox. When Hamlet highly disapproves the re-marriage of his mother, there is moral frailty. The word rank, is suggesting that vitality and physicality cancel each other out. The word rank also has many contradictory meanings and connotations. Suhamy says that his leads to the idea that life is “crude, course, and obscenely immoral.”


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In addition, Suhamy tells the reader that metaphorical language is not hard to interpret. Sickness is possible to equal sin. The sickness imagery in Hamlet splits into two contradicting occurrences “The King’s prayer is a physic that but prolongs his sickly days whereas Hamlet feels sicklied by his irresolution.” If the two occurrences are combined, the statement infers that health and sickness are interchangeable.


Despite the fact that William Shakespeare could deal in paradoxes and ambiguity, says Suhamy, there is a literary consequence the danger of banality. Suhamy tells the readers that investigations in the fields of stylistic skills and thematic consistency should not be limited. He tells us that metaphors with moral and religious inferences are revealing and contribute to the “lasting and universal interest of Hamlet as a text, and not only as a play.” Suhamy also observes that readers who regard Hamlet mostly as a play can find something useful in the imagery of sickness in its obsessiveness. Hamlet’s obsessive and behavioral mystery is interpreted as a healthy and sick obsession. Hamlet’s obsession towards his behavior is a way of purging his soul. The hubris of Hamlet leads him to achieve catharsis on the entire world.


The different interpretations on the imagery within Hamlet can vary from critic to critic. The key idea is that mistakes in understanding others’ interpretations are common, just as Weitz misunderstood Knight’s prospective of Hamlet’s imagery. Metaphorical fallacy is the key into unlocking misinterpretations between many explications upon the imagery in Hamlet





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