Monday, May 31, 2021

The life of a painter during the Renaissance

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Hello my name is Francesco Spezzuoli and my life as an artist has been very short. It all started back when I was a very young boy growing up in the city of Florence, Italy in the sixteenth century. My father was a man who had great ambition for me to become a great artist, so I really did not have much of a choice. He was getting to old to take care of me anymore so he spent his last months finding an artist that would take me in as his apprentice. The artist was very well known, in Florence, to have some of the best apprentices in all of Italy, by the time they entered the profession.


When I went to the artist shop he asked me if I know anything about art. I said that I really did not know much, all I had done until that point was just draw for fun, but I as not very good at it. At his workshop he walked me around showing me what I would eventually be doing. The first thing that I did was clean up the shop everyday in the evening after all the work for the day had been done. I did that for a couple of days until I was comfortable around the shop. Then I really stated to work. My teacher had me drawing all kinds of different things that were in the shop. I drew for about six hours a day and the other rest of the time was watching the older apprentices work on parts of paintings and grind pigments for paints, until it was time for me to clean up.


After I watched how to grind pigments for a couple of weeks I finally got the opportunity to do it myself. The first time that I tried it, I did not do very well. My teacher yelled at me for spilling too much of the pigments. Along with that he also said I was not grinding the pigment up small enough, and if they were not ground up smaller then the paints would look all grainy. And a grainy painting would never go out of his shop. It took me quite a long time to get the pigments grinding just right, but when I finally get them to were my teacher wanted them he was very pleased at how I was coming along. But there was still one color I was not aloud to grind, marine blue. Because that particular color of blue was very expensive to use, my teacher was the only one to grind it up and the only one to use it in any type of painting.


Still during all of this time I was drawing and drawing and drawing, so much as to were I was starting to hate it, but the more I drew the better I become at it. My teacher said that I would never regret having to draw so much later on in my life. Then one day after I had been working on a drawing of Donatello's David, for what seemed like weeks, when I had finished it, I took it to my teacher to show him how far I had come in drawing, he looked at it, nodded his head, said good job and then throw it in the trash, and said I can still do better and not to show him until I did. So it was back to drawing for me again, to prove to my teacher that I could do it. Everyday I went to the sculpture and draw, and everyday I did something just a little bit different until I spent about one month drawing the sculpture. At that point I felt that I had done the best that I could have, I had been drawing and painting for five years now and had used up all of the different techniques that I know how. When I was done I had drawn David about ten different times. When I took it back to my teacher, to show him my final drawing, he smiled and said, "See I know you could do better". After I had finished David my teacher asked me the next day to come help him draw figures on a baptistery wall that was going to be the Virgin Mary and the Christ child as the main theme, with others sourding them.


I was a little nervice about drawing the figures for the fresco painting, just because I had never done anything like this before. But once I stared, I relaxed a lot and started to get into a zone and things just started to flow very easily. I know it was just the outlines of the figures but it was really interesting for me to do. Then when I was done with the outlines my teacher said that I had done the best that he had seen at my age, 17 years old, I was very happy to hear that. I also helped with the painting by grinding up the pigments that were going to be used on the fresco. And then I saw for the first time my teacher paint. To watch him paint was like magic. The way he mixed the paints and flowed them on to the wall was just great to watch. I know saw how far I still have to go, but I was well on my way to become a great artist.


After I had done a couple of figure outlines on some paintings I was given the chance to paint one figure, that was not of any importance, in a fresco on a wall in one of the Medici houses. This was a very big deal, this meant the my teacher felt that I had gotten my ability of painting good enough to actually paint someone in one of his frescos, and to be in the Medici's house is a true honor. The figure that I got was one in the back ground with his back turned away from the viewer getting a bucket of water out of a stream. My teacher said that if I did well on this one he would let me do another figure in his next painting. As I started to paint I messed up a couple of time, but all I had to do was get a little guidance from my teacher and paint over my mistake. In the end when I was done with the person, I was very pleased with my self for how well I had done, along with my teacher. So in doing so well I had the chance to do two figures on a small painting that he was going to work on in the shop.


After doing figure outlines and painting the not to important people for a couple of years, I then moved up to painting everything on the main figures except the hands, face, and ears, those are always left for the teacher to do. I was getting to the point were I wanted to make a piece to art work to be reviewed by the guild to see if I was ready to become a real artist. I spent quite a long time deciding what to do my piece on, along with the help on my teacher; I come up with my painting. It was going to be a painting of David to represent the icon that he was in the city of Florence. But I throw a twist in to the work; it was not the normal way that David was represented at that time. It had David's head cut off laying on the ground next to him, to symbolize how Rome had left there "daughter Republic" out to fend for itself when it come to defending against invaders.


I was not to highly liked by the guild members for doing this type of work, but they said that I had used the best technique for painting they had ever seen. The way that I had laid the paint down, it almost seamed like it would come to life, and that we as the viewers were looking at greatness. Even though the guild did not really like the painting they had no reason not to let me into the guild, other then the fact that my subject mater was not to favorable.


Once I was a guild member I still worked with my teacher on a couple of fresco painting that he had to do. As every month went on I keep getting better and better at my skill of painting. Then I got my first commission from a small church in Florence. They wanted a painting of the Madonna enthroned for an alter piece that they wanted made. I had to collaborate with the woodworker, to find out the design of the alter piece. Once we had finished designing it he spend about two months building the alter piece. After he was done with his part I painted the Madonna, it was a very elegant pretrial of her, she was in the middle with two angles on each side and the Holy Father in a hallow above her. When it was all completed the church was very pleased with the work.


Know I have written down my life store as an artist, even though there really is not much to it, I now feel that I can die with out having any regrets. To this day I do not really know what I am sick from. It has been plaguing me for months now and recently has kept me from doing what I love the most, drawing. All I have been able to do for the past month is stay alive long enough to write this. Today a doctor come by to see how I was doing and come to the conclusion that I had contracted plague and would be dead here soon. Winter was coming in and he said that I would not make it to see spring. I don't even think I will see winter this year, the coughing has gotten worse today and I'm feeling very weak. So to end this story my name is Francesco Spezzuoli and I am a painter in the sixteenth century.


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The Grapes of Wrath

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Movie Review


~The Grapes of Wrath~


Recently released convict Tom Joad returns home in the late 10s to find his family forced off their ruined Oklahoma farm and moving to California in search of a better life. The farms have been reduced to dust by drought and wind and the families displaced by new machines. The trip is difficult and some family members die of the starvation and heat. California is not the paradise they expected they only find more misery and brutality. Slowly, the men become hostile and insensitive. When they actually get work picking fruit, they run into labor unrest. The old preacher Casey, the labor leader, is beaten to death and Tom then kills Caseys attacker. Then they stumble into a Department of Agriculture Camp that seems like a paradise. Tom, who is hunted by the police, slips off into the night swearing that he will try to bring justice to the workingman and the poor.


Movie Review


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~The Grapes of Wrath~


Recently released convict Tom Joad returns home in the late 10s to find his family forced off their ruined Oklahoma farm and moving to California in search of a better life. The farms have been reduced to dust by drought and wind and the families displaced by new machines. The trip is difficult and some family members die of the starvation and heat. California is not the paradise they expected they only find more misery and brutality. Slowly, the men become hostile and insensitive. When they actually get work picking fruit, they run into labor unrest. The old preacher Casey, the labor leader, is beaten to death and Tom then kills Caseys attacker. Then they stumble into a Department of Agriculture Camp that seems like a paradise. Tom, who is hunted by the police, slips off into the night swearing that he will try to bring justice to the workingman and the poor.


Movie Review


~The Grapes of Wrath~


Recently released convict Tom Joad returns home in the late 10s to find his family forced off their ruined Oklahoma farm and moving to California in search of a better life. The farms have been reduced to dust by drought and wind and the families displaced by new machines. The trip is difficult and some family members die of the starvation and heat. California is not the paradise they expected they only find more misery and brutality. Slowly, the men become hostile and insensitive. When they actually get work picking fruit, they run into labor unrest. The old preacher Casey, the labor leader, is beaten to death and Tom then kills Caseys attacker. Then they stumble into a Department of Agriculture Camp that seems like a paradise. Tom, who is hunted by the police, slips off into the night swearing that he will try to bring justice to the workingman and the poor.


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Friday, May 28, 2021

Of Mice and Men

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Of Mice and Men


Lennie was described in a animal reference. On page three , fourth paragraph it says Lennie dabbled his big paw in the water and wiggled his fingers so the water arose in little splashes. This gives off a animal characteristic by using his hand to splash water but it says using his paw. A paw is a huge animal characteristic. Only animals have paws. The next one is on page twenty-two paragraph two it states that Lennie is strong as a bull. When people think of a bull they think of huge beast, with massive strength. Lennie also had massive strength. There just making it sound like he has even more strength. This last one really isn't said in the book but Lennie was kind of like a big teddy bear. All he wanted was something soft and reassuring. When you think of a teddy bear you think of being warm and fuzzy. In a way Lennie was nice and just wanted to be safe and have friends.


Lennie acted like a child throughout the book. But one specific time really stood out. When he was talking to Curley's wife, and he was talking how he likes to pet very soft and nice things. He was telling her about the mice, and the rabbits. This really made me feel like he was a child because children like to feel soft things. The soft materials I think would give Lennie the protection that he needs. He feels safe when he's with something soft. Also George controls Lennies life in a way. Like children following there parents defections. In one seen it really told me this was child like. When George went to the whore house lennie had to stay behind with Candy and Curley's wife. When parents go out with other grown ups they don't there child to tag along. This is a perfect example of child like qualities.


Candy and Crooks want to be a part in George's and Lennies plan . They probably had the same dream before too. They all want to be able to own there own land. Back then it was everyone's dream to have land and make money . But Crooks said that many people have came through and said they were going to have there own land but it never happens.


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Slim and Carlson were totally two different people. Slim was plotted or scripted as a "God" or with mom like characteristics, Slim cared about almost everyone. He wanted things to run smooth with no distractions. If you had a problem you would go to him. He had the answer. Carlson was the laid back one. He didn't care about almost no one. All he cared about is that work got done and he cared only about himself . He was the one that didn't care really what happened. Basically the mean one. So the two characters would be summed up by God and the Devil.


Curley's wife in the book was never called by her name. In the book most of the characters thought that Curley's wife was just a tramp. They never had respect for her or felt bad for her. Curley's wife was was just looking for attention. Woman had no power back then so they thought that why bother with a woman that basically sells her body. They just showed no respect for her. That's why she was never named.


The characters names really met something. Some were really basic names like Lennie and George. Lennie is the kind of name you would remember as a child. Lennie is the kind of name for a little kid. Has no masculine sound or feeling. George is the kind of name that you hear allot. In specific say someone was walking down the street someone would say "hey look there's George" you wouldn't turn your head and look. George sounds like a loser name someone really not important. Slim now that's a cool name. The name Slim would really catch a viewers attention. You don't here the name Slim often so it would make you think he's cool or something. Crooks sounds like a crook. In this case a black person. A black person in this time were not respected and a crook isn't really respected either you see were I'm getting at. Curley didn't get his name for nothing, when he was first described with tightly curled hair.So as you can see names can be a big part in a story.


Steinbeck shows pairs of characters that complement each other.


Lennie and George, they were best friends during the book. Whenever Lennie was in trouble, here comes George to save the day. When Curley was beating up Lennie George said sickem Lennie and Lennie came back and won the fight. Slim and Curley's wife, they kind of had a relation towards each other, when Slim showed up at the bar and Curley's wife was there he was like hey beautiful that showed me they kind of liked each other.


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"DISCUSS SHAKESPEARS PORTRAYAL OF SHYLOCK IN THE MERCHANT OF VEINCE

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Shylock is portrayed as the ruthless, greedy villain of the Shakespeares The Merchant of Venice. Shakespeare makes him the scapegoat and the object of ridicule throughout the play. This both, establishes the barrier between Shylock and the other characters.


In the Merchant of Venice the antagonist of the play is Shylock.


Shylock is a wealthy Jewish moneylender. He is probably the most


memorable character in the play because of Shakespeares excellent


characterisation of him.


Shylock is the antagonist in the play because he stands in the way of love, but this does not necessarily make him the villain of the play. Shylock can be seen as both the villain of the play and as a man who is very human. The villain that we see in Shylock is the greedy moneylender. Shylock charges high interest rates and when he is not repaid he insists on revenge. In the play Shylock loans Antonio money, and out of jest he suggests that should the loan not be repaid in


time Shylock may cut off one pound of flesh from Antonios body. Soon


after Shylocks daughter runs away from home with Lorenzo, a Christian,


and takes her father's ducats with her. When Antonios ships do not come


in and he is not able to repay the loan Shylock is no longer interested


in getting his money back. Shylock wants revenge for the loss of his


daughter through the fulfilment of the bond.


In court Shylock is defeated because of his selfishness. Shakespeare also shows the human qualities of Shylock throughout the play. Shakespeare brings out these human qualities by causing us to feel sympathy for him. For example, the loss of Jessica to another Christian. After this loss of his daughter Shylock ran through the streets crying My daughter! O my


ducats! O my daughter!" This causes us to feel sympathy for Shylock, even though we may feel him to be a villain.


Besides the loss of his daughter and his ducats, after the trial Shylock also looses his property and his religion. The loss of his property was certainly a blow to Shylock but it can hardly compare to his loss of his religion. His forced conversion to Christianity brings out more sympathy for him. Shakespeares manipulation of our feelings for Shylock shows Shakespeares gift as a writer. He gave Shylock the ability to make us hate him at times, and sympathise with him at others. This makes Shylock one of the most vivid characters of the play.


WOOOHOOOOOOOO!


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Thursday, May 27, 2021

Asfsegwse

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History of mines

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I first met James when we were both 6 years of age at Radlett Prep and I will share with you some of the stories throughout our school life. Of course we were both sweet and innocent young boys all the time (cough). I recall that James was a star on the football pitch except when I was on it. James's first love at Radlett was Natasha Crawford. He must have fallen in love with frizzy hair. When we were in the forth year we had the pleasure of being taught how to cook by Mr Pommery. I don't think that this has helped James to become the next Jamie Oliver, as the only evidence of his talents in this area is to open the microwave door. Don't worry James the compliments will come at the end. In the 5th form we had the strictest teacher on the planet


Mrs Michalef. James, myself and other boys decided to play football in the toilets. Of course I defended James and he did not have the pleasure of a detention (I had to write out my 1 to 60 times table, I have never forgiven him for that). Next time James we are caught being naughty I expect you to repay the favour. I never quite understood that when James was given lines or a detention he conveniently missed school the next day. James, I hope your parents knew about this. In year 6 James believed that we were close rivals in sports day. Well, it is not really rivals when you look back and you can see James puffing half way up the track. Judging from the amount of food in James's kitchen "Alison I don't think you have done him any favours here". James and I paired up for the -legged race. We were winning with our skills when two girls tried to overtake us. James tried to use his talents by knocking them down but missed and fell over. Well moving swiftly on James was talking to me and the teacher heard us and asked us what we were talking about. We both froze and just sat there for 5 mins speechless " that's a first for James". When the teacher said if you dont tell me I will keep the class in for lunch. I shouted out sex sir! Well we didnt want to miss football did we? In class I always used to hear this crunching sound from under the table so I looked down and there was James lying on the floor eating crisps. Naturally I joined him. This clearly prepared us for secondary school.


Now James and I are 1 we get up to loads of fun and sometimes mischief (ha, ha). At least that was we tell Alison. James and I have a love of football, TV, food and playing PS through the night.


All in all James is a great friend has a good sense of humour and it is a pleasure to know him. I think we should thank Alison and Paul for this lovely party we are attending. I also thank them for allowing me to spend so much time at their house getting up to mischief I mean uh fun.


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Thank you for your time and enjoy the party.


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Wednesday, May 26, 2021

Summary of Virginia Woolf's "Mrs. Dalloway"

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Mrs. Dalloway is considered by many critics to be one of Virginia Woolf's greatest novels revealing a mastery of form and technique for which she became known, stream of consciousness technique. The book itself is not like any other book in the traditional sense that is emphasizing the plot, characters, actions, etc. Rather it traces the reactions and feeling of the characters as they go around London, meeting each other. The narration shifts from one character to another so that the events of the day are told from different points of view. And it consists of two seemingly unrelated narratives, one telling us the story of Clarissa and the other the story of Septimus.


The story takes place in London. The timing is a mid June day and the year is 1, after the Great War.


The story begins at 10 am when Clarissa goes out to buy flowers. She wants to throw a party in the evening of the same day. On her way to the florist, she thinks about her old family house at Bourton, and of Peter her old lover. She sees Hugh Whitbread an old friend of hers and invites him to the party. As she walks down Bond St., she passes by two window shops. The first, being that of a bookshop, displays a verse by Shakespeare "Fear no more the heat of the sun/ Nor the furious winter's rage." And the other one displaying dead fish on a block of ice. Clarissa thinks about life and exclaims "That is all ". She also thinks of her daughter Elizabeth and her tutor Miss Kilman. We come to know that Clarissa hates miss Kilman for introducing Elizabeth to religion.


Clarissa gets to the florist and in the mean while two incidents paralyzes the motion in the street. One is a very important looking motorcar and the other is an airplane soaring in the sky. Among those in the street were Septimus and his wife Lucrezia. The couple was on their way to see a Dr. Bradshaw.


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Clarissa returns home and Lucy, her servant, tells her that Lady Bruton has invited Richard, her husband, alone to lunch. This makes her feel left out and insulted. Clarissa retires to her attic. Woolf here insinuates about sexuality and virginity mentioning the white starched bed sheets. She tells us about Clarissa's sexual life. Clarissa reflects her sexual life and wonders if she has failed Richard sexually. She recalls here homosexual encounter with Sally Seton when she kissed her on the lips. She then goes down to mend he green dress and to her surprise Peter Walsh comes in. he tells her that he is in London because he wants to see about a divorce for a married girls he is in love with in India. All in all, the meeting was not a successful one and Peter greets Clarissa quickly and rushes out as Elizabeth comes in.


Peter now annoyed and irritated wonders in the streets of London. He walks to Regent's Park, smokes a cigar and falls in a deep sleep. He sees a vision and wakes up. He recalls the scene at Bourton in which he knows that Clarissa would marry Richard and not him.


During this time Septimus and Rezia are in Regent's Park. Rezia leaves Septimus for a walk; feeling embarrassed because of the strangeness of her husband and asks herself why should she suffer. Peter thinking how London has changed and of Clarissa again, sees the couple arguing and thinks that it is a lovers' fight.


Now the narration shifts to Septimus. We are told his story of how he has volunteered to go to war. He wanted to be a good soldier, that is why he forbidded himself from feeling. In the aftermath of the war, he realizes that all his romantic believes about the war and patriotism are nothing but idiocy and that his lack of feeling is a great crime. Woolf here tells us the experience of Septimus with doctors, Dr. Holmes and Dr. Bradshaw. We kind of hear her own voice echoing in the background.


The couple heads to see Bradshaw and as they reach his clinic, the doctor knows immediately that Septimus is severely ill and that it is best if he be treated in an asylum. Rezia here feels angry and deserted.


The narration shifts now to tell us about Hugh Whitbread. Woolf ironically describes his aristocratic manners. He meets with Richard and goes to Lady Bruton's house for lunch. We know later that Lady Bruton has invited them both only to use them. She wanted to make use of Hugh's style in writing letters and of Richard's ideas as a politician to write a letter to the Times magazine about emigration to Canada. Also Lady Bruton intimidated Richard by telling him that Peter Walsh is in town. In fact, Richard did feel jealous and intended to tell Clarissa that he loves her in so many words when he goes home.


And as he intended he buys Clarissa some flowers and when he gets home he gives her the flowers but could not find the words to tell her that he loves her. In a way Clarissa understood. Very little happy time was spent together, and Richard goes off to mind his business. Clarissa now alone, wonders how she had never had any interest in politics. Her interest was always throwing parties. She feels great pleasure in it and thinks that it is her gift. It is her offering to the world, she thinks.


The door opens; it is Elizabeth telling her mother that she is going with Miss Kilman to the Army and Navy Surplus stores. Miss Kilman hates Clarissa as much as Clarissa hates Miss Kilman. Kilman finds refuge in religion while Clarissa finds the notion detestable and cruel. Clarissa feels that this lady wants to take her daughter from her. In fact Clarissa was right to think so because Miss Kilman's intention was to do influence Elizabeth and make her hate her mother.


Clarissa then thinks about love and religion. To her both create the urge to control and dominate. She overlooks the old lady next door and to her this lady is a symbol of independence and privacy.


Miss Kilman and Elizabeth are now at the stores drinking tea. Kilman wanted to pour her unhappiness onto Elizabeth to gain her sympathy. Although Elizabeth is influenced by Miss Kilman's ideas but she cannot but find her disgusting and overpowering. Elizabeth leaves Miss Kilman alone and wonders off home. Kilman now sits alone like a defeated beast and then heads for a sanctuary of religion. And Elizabeth wondering in the streets of London, reaches Strand, a working quarter of London, she thinks about Miss Kilman's ideas about the poor and about professions being open to women of her generation. Elizabeth does not want to be like her mother, throwing parties and caring only about societal conventions, but she aspires to have a career of her own.


Septimus now overlooking the Strand feels normal. He has overcome his fear some how and sits chatting normally with Rezia who is sewing a hat. All was well until Dr. Holmes barges in; he wanted to take Septimus to the asylum. Septimus wanted to escape this fate and found the window an only exist. He enjoys the rays of the sun till the last minute and then throws himself out.


Peter Walsh sees the ambulance carrying Septimus's body and considers it a sign of civility. When he reaches his hotel he finds that Clarissa has sent him a letter. He dines out and then decides to go to Clarissa's party after all. When he reaches the Dalloway's, he finds servants running around in final preparations for the party. He sees Clarissa nervous greeting her guest as they arrive. Clarissa is worried that the party will be a failure and feels defensive under Peter's critical eye. He thinks that all English people are snobs.


The prime minister is announced and then a Lady Rosseter who turned out to be no one but Sally Seton. Both Sally and Peter sit together talking. Clarissa sees them as a link to her past. The Bradshaws were also invited and they showed up late at the Party. Sir William Bradshaw tells Richard about some of his patients among those Septimus. And Lady Bradshaw tells Clarissa that Septimus has committed suicide that same evening. It is noted that all the characters of the novel are present at Clarissa's party, all but Rezia and Septimus.


Clarissa affected deeply by the news of Septimus's suicide, she retires to be alone in a room. She identifies herself with the pain of Septimus and then considers him as a Christ figure, sacrificing himself for her to have her parties.


In the mean while Peter is searching for Clarissa and as she appears he feels great happiness "for there she was". This conclusion is very much a beginning as it is an ending.


Please note that this sample paper on Summary of Virginia Woolf's "Mrs. Dalloway" is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Summary of Virginia Woolf's "Mrs. Dalloway", we are here to assist you. Your persuasive essay on Summary of Virginia Woolf's "Mrs. Dalloway" will be written from scratch, so you do not have to worry about its originality.


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