Saturday, May 4, 2013

Hamlet's Greatest Flaw

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HAMLETS GREATEST FLAW

Does Hamlet have a tragic flaw? What is it and how does it affect his surroundings and himself? What is the outcome of his flaw?



Hamlet has a tragic flaw in his personality and behavior. His flaw is that he is overly concerned with death and tragedy. This flaw or weakness in Hamlet leads him into a world of chaotic surroundings and madness. Hamlets flaw and his mad personality led to the death of several people, including his mother and the King of Denmark. If Hamlet did not have this fascination with death and tragedy, the deaths of several people would not have occurred, including his own. Hamlet did not always have this flaw in his personality. A ghost presented the flaw to him, a ghost that resembled the deceased king and told Hamlet that he was murdered by Claudius and asked Hamlet to avenge his murder. This is where the flaw is adopted by Hamlet and begins to affect his life. Hamlet begins to dig deeper and deeper to find the truth. He puts on an act of madness to disguise his revenge. Hamlet becomes so over-whelmed with death that death is all he thinks or cares about. The death and deception burns into his heart like a hot branding iron to a steer. Hamlet’s friend Horatio, who knows of the murder of Hamlets father, presents Hamlet with his plans and opinions in which Hamlet trusts. Horatio acted as an advisor to Hamlet, but he did not tell Hamlet that he was heading in the wrong direction. Because of this Hamlets heart pounded hard with the thought of revenge. The flaw was there and the stage was set for tragedy. There was no way for Hamlet to change his destiny.

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Haste me to know `t, that I, with wings as swift as meditation or the thought of love may sweep to my revenge. (Act 1, Scene 5. Line )



Hamlet’s flaw increasingly affects his surroundings. Hamlet begins to forget all the important obligations in his life and neglects his responsibilities, causing other problems. One very important commitment Hamlet has, which he let go, is his relationship with Ophelia. Ophelia becomes very confused and hurt. Hamlet hurts her in a couple of ways. First, he neglects her, and second, he insults her. He insults her by telling her she is a prostitute.

“Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but now the time gives it proof. I did love you once.” (Act , Scene 1, Line 111)

Then Hamlet kills Polonius, Ophelias father, which in turn makes her go mad and in her madness she commits suicide. He does not respect the King or his mothers feelings. Hamlet meets with his mother and insults her. He calls her a whore and a sinner for marrying a murderer. Since he knows that the King is a murderer, he attempts to expose him. Hamlet stages a play in which the players act out the scenes of King Hamlets murder. This greatly upsets the new King and the King adopts some of Hamlets obsessions with death and begins to think of a way to get rid of Hamlet.



All of the deaths in the play occur because of Hamlets actions and his fascination with death. Ophelia dies because Hamlet kills Polonius. This drives Ophelia mad and then she commits suicide. She saw the truth of the treachery that was going on and thought that her death would be the better course of action. The King plots to kill Hamlet in a duel between Laertes and Hamlet. The tip of Laertes rapier was poisoned. Hamlet wounded Laertes twice before he wounds Hamlet. Hamlet then gets Laertes poisoned rapier and wounds Laertes. They both will die. Then Hamlet was supposed to drink out of a poisoned glass of wine but doesnt, yet his mother does and she dies. The truth comes out, Hamlet then goes and stabs the King and pours poison down his throat, which in turn kills him. Then Hamlet and Laertes die from the poison. Horatio is left standing alive. Hamlets actions have killed all the nobility in Denmark.



If Hamlet did not have this fascination with death and tragedy, the deaths of several people would not have occurred, including his own. If Hamlet did not pursue his flaw and had chosen a different path, perhaps his life wouldnt have ended in tragedy. The theme of the play is tragedy leads to chaos and chaos leads to death; and life cannot exist without the three. It is a cycle and Hamlets flaw causes his cycle to become shortened.

O, I die, Horatio. The potent poison quite o’ercrows my spirit. I cannot live to hear the news from England, but I do prophesy th’election lights on Fortinbras. He has my dying voice. So tell him, with th’ocurrents more and less which have solicited�the rest is silence.” (Act 5, Scene , Line 58)



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Tuesday, April 16, 2013

Hawthorne versus Poe

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Nathaniel Hawthorne and Edgar Allan Poe are among the most popular and influential of American authors to this day, as many young Americans recall studying “The Raven” and “The Scarlet Letter” during their beloved high school years. But what is it about these writers that makes their style so memorable and poignant? It could undoubtedly be argued that their grim details and play on emotions is exactly what makes the difference, yet I argue that it is Hawthorne’s use of psychological moral dilemmas and responsibilities in response to evil in his stories that sets him apart and distinguishes him as the ultimate enigmatic author.

Arguably, Edgar Allan Poe is an extremely creative and popular author of the seemingly psychological story. Ranked with authors such as Hawthorne, Poe’s stories “taught no moral lessons except the discipline of beauty.” It should be noted, however, that Poe’s image of beauty, could be a bit dark and grim, possibly reflecting his life of deep poverty, dark depression, and eccentric tragedy. His poetry and stories were extremely unique and fabulously creative, with a threatening twist. For instance, in “The Raven,” Poe describes a “midnight dreary,” and a “bleak December” when “each separate dying ember wrought its ghost upon the floor…sorrow for the lost Lenore.” The raven ominously appears repeating the line, “Nevermore.” In “Ligeia,” Poe illustrates a passage distinctly from a bed of ebony which he describes as a bed of death “I listened in an agony of superstitious terror__but there was no repetition of the sound…in the corpse…along the sunken small veins of the eyelids…Rowena still lived…the lips became doubly shriveled and pinched up in the ghastly expression of death; a repulsive clamminess and coldness overspread rapidly…” Poe uses psychologically descriptive adjectives, but does not go the full extent to insinuate a moral dilemma.

Nathaniel Hawthorne, however, takes psychology in his writing to the next level and encourages the reader to contemplate a moral dilemma. In order to appreciate his stories, such as “The Scarlet Letter,” “The Minister’s Black Veil,” and “Young Goodman Brown,” the reader must contemplate the dilemma over good and evil that Hawthorne has placed before them. Suggestions in his text can be subtle and seem sarcastic, as in “The Minister’s Black Veil,” when Hawthorne discusses it as such “From that time no attempts were made to remove Mr. Hooper’s black veil, or, by a direct appeal, to discover the secret which it was supposed to hide. By persons who claimed a superiority to popular prejudice, it was reckoned merely an eccentric whim, such as often mingles with the sober actions of men otherwise rational, and tinges them all with its own semblance of insanity.” Hawthorne plants a psychological seed in his reader’s mind by the symbolic representation of a black veil over a minister’s face that this is a battle between good and evil and a decision must be made. A similar case occurs in “The Scarlet Letter.” Thus the moral dilemma and psychological play has begun in the story, as well as in the reader’s mind.

It could undoubtedly be argued that both Hawthorne and Poe are effective writers for the mind, yet I argue that it is Hawthorne’s use of psychological moral dilemmas and responsibilities in response to evil in his stories that sets him apart and distinguishes him as the ultimate enigmatic author.

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Sunday, April 14, 2013

Guilt

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Abigails Guilt



To vice, innocence must always seem only a superior kind of chicanery. Ouida (18-108) In The Crucible Abigail committed the greatest of crimes. She destroyed the reputations of many and killed many as well. She influenced others to her evil way and killed out of greed. She managed to get away with her life without even a question of guilt, and as the hysteria of witchcraft grew in Salem she did not fear anyone. She was in control over the town and ran it with fear of death. Her magic wands spell was the simple accusation of witchcraft. Her power lied in the fact that judges believed her, and all the girls followed her. She was guilty of murder by lying to court, having an affair with a married man, and accusing simply for greed. Abigail lied to the courts on numerous occasions. No, I cannot, I cannot stop my mouth; its Gods work I do. (Abigail 115) At this point she is trying to prove to the court that she is being bewitched. If she was bewitched, why would it be happening in court? The accused obviously would not want to prove her guilt in front of a judge with an edgy finger for signing death certificates. Also, Abigail lied to get some backing on her accusations by accusing two of the worst ladies in town of witches, as well as a black slave from Barbados. This was very believable, as these women held no social rank among the town. This has been a common way throughout history to get support for individuals and groups. The Nazi party in Germany accused Jews of all their economic woes. It gained backing among the party as they looked for blame, and Nazis gained from it power. Abigail is a skillful liar and a quality enemy. Abigail purposely hurt herself for evidence in court. I have been hurt…I have seen my blood runnin out! I have been near to murdered everyday because I done my duty pointing out the Devils people. (Abigail 108) She was very good about pinning guilt on others and the fact that she was the victim. She had a way with convincing both the judge and jury. Abigail was a liar but was not charged of it. Abigail had an affair with a married man, and knew he was. A great sin in all cultures was committed by her and her lover Proctor. I know how you clutched my back behind your house and seated like a stallion whenever I come near! Or did I dream that? Its she put me out, you cannot pretend it were you. I saw your face when she put me out, and you loved me then and you do now. (Abigail ) She truly loved him but also began to have an obsession with him. She was very young at 17, while Proctor was in his mid-thirties. Her age and inexperience probably played a role in this obsession, she had never felt love as she did with an older Proctor. Abigail was indeed a sinner and capable of evil. Grand theft and perjury are one thing, but playing with emotions, like Abigail did was obviously a great crime. Abigail accused for greed. She wanted, but it wasnt gold or diamonds it was a man. She wanted John Proctor, and to get him, she was rounding up accusations for Elizabeth his wife. I have something better than hope, I think. (Abigail ) Abigail was plotting to get Proctor, she was not just doing it out of the heat of passion, she had it in for his wife. She thought that it was the only thing that stood in her way. Hope, was nothing when she had a powerful accusation that was almost unprovable. She lied in court, and made poppets to prove Elizabeth, Proctors wifes guilt. She was a skillful artisan in deceit and dismay, and caused many problems for the good people of Salem Village. She was not going to stop until her death had been accomplished. She made a tactical error and allowed her sweet John Proctor to get swallowed by the giant, witchcraft. Abigail killed the wrong person. Even though, she did not confess. She did not even skip a beat. She had left her love to choke on a rope, which truly was no love at all. Abigail was not innocent by any means. Abigail was evil. Abigail did not love, did not hesitate with lie after lie, she was free with love and went after married men. She was guilty of all these crimes and the main antagonist in the story and opposed almost everybody, on her one conquest, which was to save her self. She caused so much grief and anguish that she was indeed evil and did not fret a bit at her actions toward the town. Abigail committed the greatest crimes and should have been punished.



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Wednesday, March 13, 2013

Gregor May Not Have Been a Bug, but He Probably Was

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“One morning, upon awakening from agitated dreams, Gregor Samsa found himself, in his bed, transformed into a monstrous vermin”(885). This much we know. But, whether that “monstrous vermin” actually is a giant bug or is still a person isn’t as clear as it may seem. “The Metamorphosis” is not necessarily physical, but could be a mental mutation driven by the monotony of Gregor’s existence. Kafka may not have meant for us to picture Gregor as an actual bug… but he probably did.

Upon initially reading the short story, the reader probably doesn’t think twice about whether Gregor is actually a bug or not. It seems obvious. He wakes up and notices that he is now the owner of a “hard, armorlike back,” and “many legs” (885). He learns how to crawl around with his new body, discovers that he likes to eat rotten foods, begins to climb along the walls and ceiling of his room, and can no longer speak a language his family can understand. But, can we trust that all of these things are not just in Gregor’s mind? After all, the nonchalance with which Gregor accepts his metamorphosis proves that he is not entirely well. After his discovery, all he thinks about are his consequences for being late to work - “’God Almighty!’… Could the alarm have failed to go off?” (886). He doesn’t have a heart attack or go into shock, which most people would probably do in a similar situation. “To hell with it all!” (886), he exclaims, after reflecting on the misery of his job. He contemplates the fact that he has no friends, irregular meals and doesn’t get enough sleep. His life is filled with monotony. His family doesn’t help much, either � they use him as their workhorse. He brings home the bacon, so to speak, and they give him nothing in return. “They had simply grown accustomed to this, both the family and Gregor; they accepted the money gracefully, he was glad to hand it over, but no great warmth came of it.”(8.) He has very few passions in his dull life � we discover that art is one, based on the hours he spent on his precious frame (80), and that the other is his desire to send his sister to a music conservatory (00). All things considered, Gregor seems a likely candidate for a mental illness. The monotony of his daily life, the absence of rewards, his lack of companionship, his intense passion for art; all these things, piled on top of each other, could cause Gregor to go mad. If he chooses to believe that he’s mutated, then a bug is the perfect choice. His family and coworkers step on him, and he gets ignored, and he feels insignificant, just like a tiny little bug. It seems possible that Gregor could have had a mental metamorphosis without an actual physical one.

But we can’t make this hasty decision without examining the rest of the evidence. Most of the details in the story give us clues that Gregor has, in fact, morphed into and insect. For example, Gregor discovers that “he occasionally (leaves) traces of his sticky substance behind” (0). Not to mention the fact that he actually finds himself “prowling crisscross over the walls and ceiling” (0). Nobody can understand Gregor’s hissing talk. Gregor’s father physically attacks him � “the father viewed only the utmost severity as appropriate for dealing with him” (06). It seems unlikely that a father would throw things at a mentally disabled son. There is also the simple fact that the family calls Gregor “it.” The sister declares, “We’ve got to get rid of it,” and that “you simply have to try and get rid of the idea that it is Gregor” (14). And they do, by starving him. One last piece of evidence that would show us that Gregor really is a bug is the ease with which the Charwoman disposes of his body. After this task she “(stands) beaming in the hallway” and seems to want to tell the family how she did it. (17). With all this evidence it seems highly unlikely that Gregor is anything but what he claims to be, a “monstrous vermin.”



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Thursday, February 21, 2013

Is the video adaptation of Emma true to the original?

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Jane Austen’s Emma is set sometime in the 1th century, and has survived today because the author has characterized us all in a manner that each person can relate to. It deals with a small society which has a structured social class, where the main character Emma lies near the top. Among other things, in Emma’s spare time she enjoys a little match making. Unfortunately not all goes Emma’s way, and she finds she must deal with unexpected consequences. The Video attempts to transfer this novel onto another media type, without changing the story.

For the successful transition of Emma from one medium to another, there are certain key incidents in the novel that must take place if the story is to be understood as its original. Theses key incidents include the Box hill picnic, the Christmas party at Randalls and the ball at the Crown Inn. These scenes are short stories in their own, that add to the effect of the overall story. The filmmaker has affectively made the transition of these scenes in the video as they are understood and seen in the novel. Therefore, in regards to the Key incidents, yes the video adaptation of Emma is true to the original.

When it comes to the transition from one medium to another, we must also focus on the true representation of the characters and their interaction with each other. Our perception of Emma in the novel must be reflected by the Emma presented to us on the video, otherwise the transition has failed. In most cases, this was successfully done. However after viewing the video, the relationship between Emma and Mr. Knightly was not as cruel as presented in the novel. The befriending of Emma and Jane Fairfax also did not occur in the video as it did in the novel. Once again, the adaptation of Emma is true to the original, except for the slight adjustments mentioned.

The transformation of Emma from one medium to another was successfully completed. The filmmaker presented each of the set pieces as they occurred in the novel, and the interactions between characters were more often then not as was expected. The video adaptation was quite true to the original.

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Monday, February 11, 2013

interpret cultural and soxial differents,about the film"ine flew over the cockoo's next"and by Gary crew novel"The inner circle" and by arthur miller "Death of a salesman"

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Your multi-generic texts will interpret cultural and soxial differences, explore assumptions, values and beliefs and show how language is used to promote informed decisions. Texts will reveal critical reflection on a public social issue(s) and will encourage public tom view your site.

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Saturday, February 9, 2013

funeral in my brain

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In the following two poems I felt a Funeral in My Brain and Dirge for Two

Veterans, The authors Robert Frost and Walt Whitman, share similar thematic, cultural, and

formal connections throughout their poems.

In both poems, the authors explain death experiences in a mind of a person.

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Even though in Frosts poem is just a sight in a persons head, and not happening in real life as in

Whitmans poem, It still tells in details, the common feelings of death in the characters experience.

As both poems start, It is a vision and feeling that the people do not feal or see yet, but it is being sensed that odd feelings are about to occur. Like in Frosts poem, the quote ...till it seemed. That Sense was breaking through. And in Whitmans poem, I see sad procession, And I hear the sound of coming full-keyed bugles. They seem somewhat calm, but the senses and visions are on their way to the persons minds which leads on to more intense feelings.

The persons feelings begin to gain more intensity and feel a common beat to their bodies. In Frosts poem he says ...like a drum - Kept beating - beating - till I thought, My mind was going numb, and in Whitmans poem, I hear the great drums pounding, and the small drums steady whirring. Obviously there is no drummers around banging on the drums, But this powerful pounding sound shows how tight their bodies are and an extent of paranoia. The way it is mentioned also shows that this is not just a quick effect on them, but a continuing feeling that is driving into their heads. The quotes Strikes me through and through and Kept beating... proves how compulsive these drums are.



In the poems, they both show head illusions in their characters. Like the drums, keys, a bell, pounding and beating effects. From reading these, it almost has me hearing the sounds. But these sounds are not real harmonic sounds even though they may sound loud from reading it. They are just silent thoughts, and only heard in their minds because of the situation they are in.

Another comparison in both poems, they bring about strong meaning locations. Like in Frosts poem, As all the Heavens, and in Whitmans poem In the eastern sky. They use these unproved locations to show how much impact their situation has on them. So powerful that it includes places such as Heaven and the eastern sky, which are unproved meaningful things.

The feelings the people are having seem to get more defined and stronger as the poem goes on. In Frosts poem, ...across my Soul, compared to Whitmans ...enwraps me. These quotes to me are extremely deep. These words are pure proof of how overcome they are by their experience with death. For your soul to get involved, and to be enwrapped, it is almost completely like being taken over by their situation.



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