Willa Cather

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Willa Sibert Cather is an important women in American litature. She played an important part in the development of of modernist writing in America. Although her writing is consistantly concise and to the point it is also very vivid with its language and the pictures it paints. Not only was she a writer but she was a teacher, journalish and critic too.

Willa was born in Back Creek, Virginia in 187. Her family moved to to Red Cloud, Nebraska when she was ten years old. Red Cloud was a small town surounded by the tumultuous prairie. The settlers who lived in the town were mainly Scandinavian, Bohemian, and French immigrants trying to make a living off the difficult land. Americans seemed to be a minority. Most people who lived in this area where fresh off the boat. This environment greatly influenced Cather's life. She used her experiences growing up in that area and used them to create vivid descriptions of her characters and settings in her writing. It made her concentrate on the land, the immigrants and Europe, the essence of American pioneer experience.

In 185, she graduated from University of Nebraska in Lincoln and became one of the very few women to achieve a college education in her day and age. Her studies had led her toward a creative life and career. Cather composed several short stories and worked for the Nebraska Journal writing reviews of books, plays and music during her college years.

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After graduating, she continued along the same lines and took an editorial job at a magazine in Pittsburg. Five years later she began teaching high school English. The career change did not supress her creative work though. While teaching she published her first literary work, April Twilights (10), a book of poetry. Later she published a collection of short stories, The Troll Garden (105).

In 106 she moved to New York City and found work as editor of the prosperios McClure's magazine. Then, in 108, she met Sarah Orne Jewlett, a New England writer. They were to become lifelong friends. Jewett was an inspiration of Cather. She expressed a love of life on "the land".

Willa Cather published her first novel, Alexander's Bridge, in 11. She was 40 years old at the time and felt ready to enter the literary scene. Her next three novels, O Pioneers! (11), The Song of the Lark (115), and My Ántonia (118), shared a common theme. The hero of each of them was a great woman who had to face hardship on the praire. They firmly established her as an important writer on the American literary scene. She had started down the path that would put her amongst many of the most important modernist women writers.

Cather never had any romantic interest in men. She centered her emotional life around women. The question of her being a homosexual is greatly debated. It does seem that her beliefs influcened the main characters of her stories. In her personal life, Cather lived with Edith Lewis, another Nebraskan which she had met in 10, from 108 until her death in 147.

Cather's life was impaired by poor health, but she magaged to have relatively happy life. She did, however, become increasingly distressed with the world around her. She, like many other modernist writers, was troubled by the growing mechanization and mass-produced quality of American society. Her upbringing seemed to draw her to prefering a simpliar way of life. This was also the time when her writing took a new direction and became more concerned with finding alternative values to the materialistic life she increasingly felt around her. Both of the novels from this perior in her life, A Lost Lady (1) and The Professor's House (15), deal with spiritual and cultural crisis for the main characters. The frustration with modern society and the sense of spiritual decline in the world were also reflected in Cather's personal life. In 1 she the Episcopal Church looking to improve her quality of life.

In 16, Cather's writings entered a third stage. This period began with the novel Death Comes for the Archbishop (16). A new theme is revealed about the vanished past of the American Southwest. It shows how nature and Christianity supressed by modern urban life and society. This was highly critical view of the present as opposed to the past. She shared this view with most modernists and it became more stronger the older she grew.

Along with her fictional writing, Cather was also an accomplished literary critic. She produced an extensive body of critical work on the nature of art and how it affected life in general. Her view as a critic on literature and art passs up her fictional writings in their style, language and form.

Cather's main focus is the description of her characters over the plot. She let a life unfold through a steady but loose gathering of conversation and reminiscence of her characters. The narrator stays at a distance to the characters. Her characters are then evokeing rather than just fully expained. The human side of them can been seen easier through this method. Cather often gives priority to the expressing the setting.This lets the individuality of the character disappear in human nature against the background of nature.

Cather's style is often very condensed. It seems minimalistic at times.She described her work as unfurnished. She went on to say it gave a sense of 'the top of the iceberg', much like Hemingway's writing. She is undoubtedly among the most important American modernist writers.

Heuss, Michael R. "About Willa Cather." Great Literature Online. 17-00

http//www.underthesun.cc/Classics/Cather/

(1 Apr, 00)

Cather, Willa. "Cronology" The Willa Cather Archive.

http//www.unl.edu/Cather/.

(1 Apr, 00)

Wells, Kim "Willa Cather" Domestic Goddess.

http//www.womenwriters.net/domesticgoddess/cather1.htm

(1 Apr, 00)

Lindhard, Anne "An introduction to the life and writings of Willa Cather" Willa Cather Site.

http//fp.image.dk/fpemarxlind/

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The Suppression of Love and Eroticism in 1984

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"We are never so helplessly unhappy as when we lose love," (Sigmund Freud). Throughout life, there are searches of meaning, belonging, and most importantly, love. Being in love with someone and sharing yourself and your life gives an overwhelming sense of completeness. If you live your life without love, compassion, or desire there is not much to look forward too life would be lonely. In 184, Big Brother's manipulative control over the way of life in Oceania suppresses society's and Winston Smith's ability to find love and express sexual desire.

Big Brother could not control men and women from developing "loyalties" between one another; however, its undeclared purpose was to completely abolish all the pleasure, meaning, and emotion from the sexual act. The Party made great efforts to psychologically manipulate the people into doing as they say. Many restrictions and regulations made it practically impossible for anyone to even consider going against the Party. First of all, if a couple wanted to get married they would have had to have it approved by an appointed committee. In short, if the committee thought that there was the least bit of physical attraction between the couple, the marriage would be rejected. "Not love so much as eroticism was the enemy, inside marriages as well as outside it," (Orwell 57). The purpose of marriage was strictly to procreate for the service of Big Brother, not to unite the love of two people, and for children to eventually turn in their parents for thoughtcrime. "Sexual intercourse was to be looked on as a slightly minor operation, like having an enema" (Orwell 57). Big Brother would do almost anything to promote abstinence of their Party members. However, the women were much easier to manipulate than the men.

"The women of the Party were all alike. Chastity was deeply ingrained in them as Party loyalty. By careful conditioning, by games and cold water, by the rubbish that was dinned into them at school and in the Spies and the Youth League, by lectures, parades, songs, slogans, and marital music, the natural feeling had been driven out of them" (Orwell 5).

If anyone were caught disobeying the Party's rules they would serve life-threatening consequences in the Ministry of Love. Having desire alone was considered a thoughtcrime. Big Brother's main ambition was to be the center of love, fear and worship. It was obviously a known fact that developing these types of emotions for another human being would have been more likely than developing them for the Party. In short, Big Brother would do anything possible to make sure that that did not happen through psychological and physical manipulation.

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Following the parades, songs, slogans, and education, Big Brother had other organizations that also promoted the prohibition of sexual intercourse. Included were the Junior Anti-Sex League and the Two Minutes Hate. Winston's lover, Julia, a sex-crazed young woman, was part of the Anti-Sex League. This organization was known to lecture and encourage complete abstinence for both the men and women Party members. Even though Julia was not exactly pure, she used this as a cover-up to show her devotion to Big Brother. In Oceania, the Two Minutes Hate allowed all the Party members to get together and at the same time they would all release any frustration and anger that built up inside of them ever since the last meeting. The Party felt that the actions of the men and women during the Two Minutes Hate were the frustrations and excitement that pleasure would have released during sex. During one of their conversations, Julia explained to Winston that,

"When you make love you're using up energy; and afterwards you feel happy and don't give a damn for anything. They can't bear you to feel like that. They want you to be bursting with energy all the time. All this marching up and down and cheering and waving flags is simply sex gone sour. If you're happy inside yourself, why should you get excited about Big Brother and the Three-Year Plans and the Two Minutes Hate and all the rest of their bloody rot?" (Orwell 110-111).

Big Brother used this to its advantage to the benefit the Party. If they were not able to totally destroy the thought of sex, they would at least make it known as dirty, and twist the actual meaning. Big Brother did not want Party members to rebel against them, so they would try and make it practically known to be impossible to do anything that was forbidden.

Rules and regulations are meant to be broken, whether it be by a single person or by a handful of people. There could never be complete control over a person, especially an entire society. It would be next to impossible because there are always the exceptions for certain people. In 184, eroticism is looked down upon; the Party thinks it is more dangerous than love itself. Sex, itself, was considered "dirty", "unnatural", unnecessary, and downright wrong. Sigmund Freud, a famous philosopher, believed the opposite of this, "…The only unnatural sexual behavior is none at all." Sex is intended to be a natural and beautiful thing, which unites the love between a couple and for the purpose of conception. In 184, Big Brother utterly destroyed any true meaning of the act.

It was next to impossible to imagine that someone could rebel against Big Brother and not have to face the penalty. As soon as a Party member was caught having meaningful and joyful intercourse or desiring the act, they would be thrown into the Ministry of Love where they would suffer unspeakable consequences. Winston and Julia's love affair was just waiting to be done for. They trusted one another because they both genuinely detested Big Brother. As their affair progressed, Winston's hatred towards the Party grew more and more intense. Like any other two people who were in love, they had to keep their love a secret and not let any emotion show because then they would be most vulnerable to Big Brother, and would face enormous life-threatening consequences. George Woodcock, author featured in Twentieth-Century Literary Criticism, Vol. (pg. 508), stated that, "The Party lives within its own doomed circle of fantasy from which even the rebel cannot escape." Winston knew that their illegal love affair was an act of rebellion, and that the Thought Police would eventually discover them. On the other hand, Julia was young and naive and was not as concerned about getting caught. "Folly, folly, his heart kept saying conscious, gratuitous, suicidal folly! Of all the crimes that a Party member could commit, this was the least possible to conceal," (Orwell 114) Winston said to himself one day before meeting Julia. He knew that getting involved with Julia would have been the most dangerous thing that he could do, and the price he would pay if they got caught would be unspeakable.

Winston's intense hatred for Big Brother must have been one of the largest factors that made him fall in love with Julia even more. They had the same hatred for the Party, and that made her seem more attractive to him. Julia was the complete opposite to what she was supposed to be. She was not innocent; she was a rebel, corrupt to the bones. Julia had affairs with numerous Party members; in fact, she had her first affair when she was only sixteen. Winston loved her even more for this. He told her, "Listen. The more men you've had, the more I love you. Do you understand that? …I hate purity, I hate goodness. I don't want any virtue to exist anywhere. I want everyone to be corrupt to the bones," (Orwell 104). He was sick of society, and wanted everyone to do the opposite of what Big Brother wanted. There was no true love.

Even the true meaning of love was unknown to the people of Oceania. Winston's unhappy and unhealthy marriage to Katherine is a perfect example of this. Their marriage exemplifies how Big Brother had tarnished the authentic meaning of sex, marriage, and procreation. Katherine was very loyal to Big Brother and engaged in sexual intercourse with Winston only because it was her "duty to the Party to procreate. "She would lie there with shut eyes, neither resisting nor co-operating, but submitting. It was extraordinarily embarrassing and, after a while, horrible," (Orwell 58). Winston ended up dreading intercourse with because of they way she perceived it to be. Emotionless and joyless sex was exactly what Big Brother was trying to achieve.

In the Ministry of Love, O'Brien informed Winston of the ultimate goal of the Party the complete destruction of love. Oceania would be a society that would solely be built on hate and fear. There would also be no laughter, no literature, no art, and no science, nothing that will compete against Big Brother. O'Brien continues on saying, "…The sex instinct will be eradicated. Procreation will be an annual formality like the renewal of a ration card. We shall abolish the orgasm…there will be no loyalty, except loyalty toward the Party. There will be no love, except the love of Big Brother," (Orwell 0). The whole definition of a family would be torn apart because there would not be any wives, husbands, or friends, and children would be taken from their parents right after birth and the sex instinct would be entirely without emotion.

"Family love, human love, is impossible in the 184 world. Because the past does not exist, neither does a childhood of pleasure and growth…" ~ Murray Sperber, author featured in Twentieth-Century Literary Criticism, Vol. 6 (pg 54). The treatment towards society was that of like caged animals. The rules and restrictions can take away many opportunities and experiences that one could have in their life. Winston and Julia tried to make their own "world" in Charrington's apartment, but their love could not flourish simply because "love" was not allowed and because they both participated in the "unnatural" act of intercourse, they were both were tortured. Many opportunities are taken away from society and Big Brother's manipulative control over the way of life suppresses society's and Winston Smith's ability to find love and express sexual desire. Love is the foundation of life, without it "life" is basically meaningless and lonely.

Book 184 - George Orwell

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My Father

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Throughout my life many people have come and gone influencing me in many ways. However, one person has gone and influenced me a great deal, my father. He didn't influence me like one might think. My father influenced me to not be the I'm not proud of my father; even some of my best friends don't even know the story of my father. My family and I left my father when I was nine years old.

. The last thing I wanted was to be like my father. It is because of him I am a good person today.

Ever since I was young, I can remember my parents fighting when us kids went to bed. I would see my mother crying some days when he wasn't around. He would disappear days at a time. He would promise my siblings and I things, and would never follow through on his word. I was too young to understand what was going on.

Then one summer day when I was nine, I guess my mother decided she had enough of him and decided to leave. We packed up all of stuff in a U-Haul and off we went. My mom told our father we were moving with her father in Oregon.

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Driving down the interstate with my mother and three kids in front of the U-Haul, she broke down and told us the truth about our father. She told us it was the best for all of us. My mother explained to us that our father was addicted to drugs and he had a problem. Basically she told us our father was a dead beat. My father would steal money from the family, not help pay bills jus so he could do drugs. My mom then told us we weren't going to Oregon, but to Orlando with my father's parents. She didn't want my father to follow us and ruin our new start. My mom left everything behind so her children could have a better life.

Because of my father's mistakes I am on the right track in life. Many incidents in life have come to me to make a decision. When I'm at parties or hanging out with friends and people offer me some drugs. "Just one time, its not a bad thing," I say no. Its because of him I'm a strong person and don't give into peer pressure. Still to this day I refuse to try drugs, because I don't want to end up like my father.

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A Childs Promise

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Donna Gosney

Dan Wray

Expository Writing

August 27, 2002

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A Childs Promise

This Friday night seemed just like any other with Mom and I lounging on the sofa watching the Grand Ole Opry. I could feel the joy that the Opry brought to my mom just by the look in her eyes as she watched, listened, and sometimes sang. Well she hummed more than she sang but that was my mom's way of singing. As we watched her eyes would glow. Sometimes I would see a sparkle. As I watched her I knew what I had to do. I hugged my mom and said "Mother, when I'm all grown up I'm going to take you there". Mom hugged me in return and said, "I'm sure that you will".

As I started dinner, I turned the radio on and to my surprise the station was doing a special on The Grand Ole Opry. This brought my childhood memories roaring back. The Grand Ole Opry played on the radio in the kitchen every evening as Mom cooked dinner. She would hum and I would ask her to dance (as I had seen my father do). She would accept, especially if it were a slow song. Mom said that when it came to fast dancing she was afraid that she would break something and that with nine children she needed every thing she had to keep up with us. We would dance and at the end I would bow and say "thank you madam", she would courtesy and off I would go. Then I remembered the promise that I had made to her so many years before. I had a plan.

The following morning at work I put in for a week of vacation. Next came the wait for the approval. One day turned into the next, the next into the following. I could wait no longer. I went into my supervisors' office and said "well am I approved or not"? Signing the final signature as I walked in. She knew the excitement and anticipation that I had been feeling. She just looked up at me and smiled. That was all I needed. I called the Opryland Hotel made the reservations. I called the airlines, booked three flights. Everything having to be prepaid of course. I called my daughter to let her know that everything was a go. She in turn, after speaking with the doctors was unsure rather they would allow her to go. You see she was eight months pregnant with my granddaughter. She called the doctors again and they told her that they would advise against it. We talked and she stated to me "I can have this baby in Nashville just as easily as I can here". So I called Mom. She had plans. I really wanted this to be a surprise. I asked her if she could change her plans. She didn't think that she could but she would check. Waiting on that phone call was the longest of my life, although it only lasted for an hour. Mom called back. She said that she could change plans, but it would really mess up everyone's schedule. She asked, "How important is week"? I thought at that point I was going to have an annurisium or something. I said, "It's pretty important". Mom never wanting to change plans that one child had made before another said "Well can't we visit some other week"? I stated to her "Mom the Grand Ole Opry won't wait".

After we boarded the plane I watched as Mom adjusted her seat belt. Watched as Brandy wrestled with hers trying to make it fit, with Mom of course telling her how. All I could think was how much I loved all three. Taking a moment to thank God for blessing my life with the pleasure of them and of course to invite him to tag along. Then we were on our way. The flight was without problems. Unless you count Mom's changing Brandy's drink order from a Dr. Pepper to a Sprite. Brandy of course having a craving and Mom insisting that she should not have caffeine.

Next was our arrival to the hotel. As we entered, all we could do was stare at the beauty surrounding us. It was breathtaking. After checking in and with our itinerary in hand sent out on what was to be an awesome experience. All inside the hotel itself. There were gardens, waterfalls, fountains of water that did every thing from spouting as high as one hundred feet, almost touching the glass ceilings to dancing in tune with music and lights. There was even a riverboat ride. Fish and birds were in all the gardens and waterways. The restaurants varied from the most elegant to fast food. And shopping was no problem. Shops everywhere. All we did was say "charge it to our room please". They even delivered. But none of this would compare to The Grand Ole Opry.

I watched as Mom dressed for the evening. She was a bundle of nerves. Trying one outfit then another. Asking questions such as; "is this ok"? "Does this match"? And the world's most dreaded question, "Does this make me look fat"? Never having the intention of touching that one, I said "Mom you look beautiful no matter what you wear". Then we were off to the Opry.

On the walk to the doors of the Opry, I watched, as Mom tried not display her excitement. You could see it in her walk. Her little short legs were carried her as fast as they could. Almost giving you the impression that any second that they would tie themselves into knots. She had a smile on her face that stretched from ear to ear. Finally seated in our seats, the show began. Porter Wagoner walked out on the stage and I thought Mom was going to burst. It was then I witnessed the glow and caught the sparkle in her eye. The same glow and sparkle that I remembered as a child the night I made my promise to her. As we sat listening to the music my granddaughter danced. With each song she moved as if in tune with the music. Mom smiled and said "She gets that from me". At the end of the performance my mother hugged me, whispered in my ear "I love you", and slipped something in my hand. As she did she told me not to open the tiny box until we returned home. I agreed.

After returning each to their home, I returned to mine. I couldn't wait to open the box. I ripped off the pretty white bow and inside was a beautiful silver locket. I opened the locket and there was a picture of my Mom and the inscription "I knew that you would".

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Lord of the Flies- Setting

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The setting affected the story "The Lord of the Flies" in many ways. It effected

how the characters are shaped or how they act because of the surroundings and the

environment in which they have to live. The setting also changed their attitude and

behavior toward each other as the story progress. By affecting the characters' behavior, it

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made an impact on the outcome and the events in the story. The author used an inhabited

island as the setting of the story.

The story takes place in an island in which groups of rich kids are trapped when

their plane was shot at and then crashed. The kids were by themselves without any adults

watching over them. The author used an island to show how kids would interact

with each other without any adults. No adult supervision means that they could do

whatever they want without no one telling them what to do. He also used the setting to

establish a particular atmosphere, and mood. The author wants to create a sense of

freedom for the kids and isolation from the world. An example of this is when the

kids would swim naked in the beach and doesn't care what anybody thinks.

The author chose an island as the setting of the story because he wanted the

kids to have their own society and culture. It will show their own type of government on

the island and will give responsibilities to each of the characters. This type of

government will shape their behaviors and attitudes towards each other. The society in

which they live in is controlled by a leader that controlled the things on the island and

caused most of the kids to rebel against him. His rules changed their attitudes and the

way they think of him. An example of this is when Ralph, the leader, asked them to

always keep the fire alive at all times but Jack and the kids would not listen and hunt

instead. Their attitudes toward each other changed and caused their fall.

The author's description of the specific setting enabled the readers to envision

the setting and imagine the characters interacting with it. In the beginning of most

chapters, He usually starts with describing how the surroundings, climate, and

physical composition of the land was like. For example, the author creates a visual image,

or word picture describing how the island "clambered among the rocks, with the sea on

either side, and the crystal heights of air, they had known by some instinct that the sea lay

on every side." He also included details such as "a sliver of moon rose over the

horizon, hardly large enough to make a path of light even when it sat right down the

water ."

The setting can affect a story in many ways. The setting can establish the mood

and atmosphere that creates a story. Behavior of the characters can change depending

on an event, time, or place. To describe a setting, the author tried to use specific details

that create an appropriate image in the reader's mind like the climate and the

physical composition of the land. The setting created how the story is going to be like. It

also makes the story more interesting and puts excitement into the plot. The characters

way of life is changed because the environment and the absence of adult supervision.

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Abortion debate

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ABORTION DEBATE ESSAY

Mr. Chairman, Honorable Judges, Worthy Opponents, and Fellow Students,

This afternoon we, the affirmative team, are going to convince you that abortion should be pro-choice. Before I present my arguments I want to define the topic, which we are debating today. Abortion is categorized as murder, when in fact it scientifically is not. There is not one religion in the world that specifically defines abortion as wrong. Abortion should be legalized because of rape victims and their unwanted baby. Also, because of overpopulation, unnecessary births, much less unwanted, should not take place.

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The act of Abortion is often labeled as murder, when it is truthfully not. The term "murder" is far away from the meaning of the essential process of abortion. The definition of murder is the unlawful killing of one human by another human. The definition of a human is a distinct entity living independently as a whole. A baby is dependant on the mother while in the womb, so it is not a human, declaring this course of action is not murder.

Abortion should be legalized for rape victims and their unwanted babies. A victim of rape should not have to go through the pain and suffering of having a baby that they did not choose to have. If abortion were authorized then these victims would have a choice, rather then having to bear with an unasked for child. These women would be able to go on with their lives with the knowing that they do not have to support a baby.

To conclude my debate, when the word abortion comes to mind, a person should not think of bad or evil. A person should think of Choice and Diversity, because Abortion is not murder, against religion, and it should be Pro-choice. My colleagues and I have shown you that Abortion is first not murder, second not a sin, and last it should be an alternative. We ask you to consider the arguments carefully and we are sure that you will agree with us, that Abortion should be Pro-Choice.

Please note that this sample paper on Abortion debate is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Abortion debate, we are here to assist you. Your persuasive essay on Abortion debate will be written from scratch, so you do not have to worry about its originality.

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Niccolo Machiavelli and Morality

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When reading Niccolo Machiavelli's The Prince, one can't help but grasp Machiavelli's argument that morality and politics can not exist in the same forum. However, when examining Machiavelli's various concepts in depth, one can conclude that perhaps his suggested violence and evil is fueled by a moral end of sorts. First and foremost, one must have the understanding that this book is aimed solely at the Prince or Emperor with the express purpose of aiding him in maintaining power. Therefore, it is essential to grasp his concepts of fortune and virtue. These two contrary concepts reflect the manner in which a Prince should govern while minimizing all chance and uncertainty. This kind of governing demands violence to be taken, however this is only done for the strict purpose of maintaining his throne, and generating both fear and admiration from his people. In all cases of violence, Machiavelli limits the amount of violence that needs to be taken down to the minimum, and most cases the victims of these acts are enemies of the people. Behind the violence, the prince is essentially taking the role of the villain and assuming all "bad" acts so that his people do not have to commit the acts themselves. In addition, all the Prince asks for is to not threaten his power and to respect it. In the 16th Century, this request is feeble compared to those of other hierarchical Monarchies. In the end, Machiavelli's Prince assumes all the burden of violence so his people may not worry of their lively hood. This is Machiavelli's ultimate stroke of morality.

In essence, Machiavelli's ideal principality sustains a genuine sense of morality behind the violence that "must be subjected in order to maintain stability." Looking at his plans subjectively, Machiavelli could very easily have broken down the subjects in a hierarchical fashion or forced upon them large sum taxes and duties. He does not do this, instead opting simply for the respect of the people and the lack of treachery in affairs regarding his power. The people in his kingdom can live with tranquility, and pursue whatever they so desire. This freedom of the people and ability to act as they feel is more than a simple convenience. Personal pursuit of happiness of all is given by the Prince but at his expense. All that the people must do is respect and not threaten the Prince's power. On the contrary, the Prince sacrifices his own motives, morals, and personal happiness so that his subjects may have them. Essentially, Machiavelli paints the Prince as a Christ figure. It is the Prince who takes away the sins of the world, so to speak. He gives up his morals so that other may keep and cherish theirs. Machiavelli firmly insists that politics and morality can not co-exist. The main reason is that moral behavior is consistent and can be predictable. Consistency and predictability are significantly weak components of a ruler, and could be exploited by his enemies. When a pattern of action is established, conspirators can conspire and plan an overthrow. These conspirators would then plunder and pillage as they came to power; therefore worsening the situation in the kingdom. The people then would become the victims, and anarchy would soon break out creating all kinds of disorder. So, although the intentions of moral political actions are good, in the end they will lead to immoral acts. The actions he takes are not just violent tyrannical activities rather they are sacrifices. He is the one who must live with the guilt of sin, not his constitutes. In terms of morality, the Prince does not demand any unmoral action from his subjects. He shoulders it all. It is also the Prince who, although it is also for his personal safety, eliminates the tyrants that not only threaten his throne but also his people. Along the same lines as halting anarchy or riots, the elimination of other power hungry individuals evaporates the threat of oppression on the people from another exterior source. One thing that remains consistent in his principality is that people maintain their honor and esteem, and this unselfish sacrifice is what makes the Prince's actions in actuality quite moral.

Another aspect that one can not help but ignore is that fact the Prince assumes the position of ruler at the costs and expectations. For being a Prince, he must at times be prudent and aware of his position with the people. Machiavelli writes "the Prince must be seen as moral by the people." The fact underlies the importance of morality for Machiavelli. Without morality and without the notion of morality in a Prince, civil disorder will occur. Morality, with its uncertainties, provides at the very least a common non-violent base in which subjects have a set of rules could live by. What makes morality important to the Prince is that it also allows him a statute of sorts. For example, if people operate by their morals than the Prince has not to worry such problems as stealing, killing and other immoral actions. Therefore, just by appearing to be moral, morality can be used as a tool to control and harness the people below him.

Machiavelli's Prince is a book in which Machiavelli outlines the actions a Prince must take to hold and maintain power in a principality. Within the context of the book, Machiavelli brings forth the notion that prudent violence must be done in order to maintain the throne. In addition, he strongly expresses the ideology that a Prince can not be both moral and political. However, behind this argument lays the foundation of morality. The Prince's evil actions although not moral seem to sustain morality for the subjects within his principality. The Prince assumes all immoral behaviors and thus, sacrifices himself for the people, is moral in the end.

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